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Video agency, Monaco

Video agency in Monaco: UGC, TikTok and branded content

Monaco employs far more people than it houses residents: IMSEE counted 77,866 jobs at the end of 2025 for 38,367 residents recorded on 31 December 2023.

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● Video agency in Monaco

Shooting, editing and publishing for brands in Monaco

Monaco employs far more people than it houses residents: IMSEE counted 77,866 jobs at the end of 2025 for 38,367 residents recorded on 31 December 2023. Every morning, tens of thousands of employees cross the border, and every brand is aiming at residents, cross-border workers and visitors all at once. From Paris, Esekai travels to the Principality to film creative ads, UGC videos and TikToks, with formats designed for audiences who neither speak the same language nor share the same codes.

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Nearly 150 nationalities between the Rocher and Fontvieille

The 2023 census published by IMSEE in November 2024 marks a turning point: for the first time, Monegasques are the largest community, with 9,179 residents, or 23.9% of the population, ahead of the French (8,473) and the Italians (7,515). The total population is up 2.8% on 2016 and the Principality is home to nearly 150 nationalities according to Monaco Tribune, which reports these figures. For a brand, this diversity changes the way a video is written. An Instagram ad that relies on a French pun loses part of its audience. A visual story is better, understandable without sound, with subtitles in French, English and sometimes Italian. UGC casting follows the same logic: an English-speaking creator who lives in the Principality will convince a different audience from a creator from Nice, and both have a place in the same campaign.

A labour market geared to cross-border workers

According to IMSEE's 2025 employment observatory, relayed by Monaco Tribune in May 2026, the private sector has 59,724 employees, of whom only 1,011 are Monegasque nationals. The French account for 61.6%, the Italians 15% and the Portuguese 6.8%. Nine private-sector employees in ten live outside Monaco, and more than 16,000 live in Nice. Companies employ fewer than ten people on average and 88% of the market is geared to services. These figures point to a specific employer-brand need: an asset manager, a hotel or a firm has to attract candidates who live in Menton, Beausoleil, Nice or Italy. A recruitment video shot in the offices, with an employee describing their commute and their day, distributed on LinkedIn and Instagram in the Alpes-Maritimes, speaks directly to that talent pool.

Boutiques, restaurants and hotels under visitors' eyes

Monaco's retail serves three audiences who cross paths in the same streets: residents, employees who have lunch locally and visitors, who come for the Casino de Monte-Carlo, the Musée océanographique or the changing of the guard in front of the Palais princier. Each reacts to different content. A restaurant in La Condamine reaches employees with a TikTok showing how fast the lunchtime service is, while a Reel shot at sunset on a terrace facing the harbour targets visitors planning their evening. For a fashion or jewellery boutique, UGC takes a more restrained form: a customer trying things on, commenting and comparing, in an elegant setting but without overacting. Hotels are better off showing what photos don't convey, such as the view from the room on waking or the walk to Larvotto.

Port Hercule, the Rocher and the calendar of major events

The Principality can be filmed in a handful of very different areas: the Rocher and its lanes around the Palace, Port Hercule and its quays, the Carré d'Or near the Casino, Larvotto beach and the more recent Fontvieille district. The calendar matters as much as the location. The Formula 1 race, in spring, turns the city into a circuit and makes access complicated, but yields images everyone recognises. The Monaco Yacht Show, in September at Port Hercule, draws an international clientele that appeals to high-end brands. The Fête nationale on 19 November and the Festival international du cirque de Monte-Carlo, early in the year, offer other content opportunities. Outside those weeks, winter and early spring remain the times when we can shoot most freely, with soft light and quieter streets.

Shooting in the Principality, in practice

The Esekai team reaches the Côte d'Azur via Nice airport or by train, then gets to Monaco on the line that runs along the coast. On site, distances are short and most things are done on foot, with compact equipment that slips easily into a hotel lobby or a boutique. A professional shoot in public space may require a permit: we check the procedures in advance and always plan indoor alternatives. The brief is approved remotely, with the shot list, the people filmed, the subtitle languages and the UGC creators to cast. One day generally covers one venue and several formats: a Meta ad, two or three TikToks and stories, delivered with several hooks to test.

Sources of the figures quoted Mon Service Public (Gouvernement princier), Monaco Statistics (IMSEE) publie le rapport du recensement 2023 (Monaco Statistics (IMSEE) publishes the 2023 census report) (28/11/2024) Monaco Tribune, Recensement 2023 : les Monégasques majoritaires pour la première fois (2023 census: Monegasques in the majority for the first time) (28/11/2024, IMSEE figures) Monaco Tribune, Monaco et ses 78 000 actifs : cinq chiffres pour comprendre un marché du travail hors norme (Monaco and its 78,000 workers: five figures to understand an exceptional labour market) (07/05/2026, IMSEE 2025 employment observatory)
+40% click-through rate (CTR)
-30% cost per acquisition (CPA)
x2 à x3 return on ad spend (ROAS)
Why?

Why creative ads deliver better results

An ad that looks like an ad gets skipped in a second. A creative ad works on the hook, the message and the format so it is watched to the end, then tested and adapted for as long as it converts.

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Our work

Content built to capture, engage and convert

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How?

Our approach to creative ads

Every video is designed to be tested, measured and then improved.

01

Strategy & audience analysis

Market, goals and audiences: we choose the angles to test.

02

Visual creation & ad copywriting

Scripts, shooting and editing to each platform's codes.

03

Testing, iteration & continuous optimisation

We compare the variants and roll out the winners.

FAQ

Frequently asked questions about our video production studio

Another question? Write to us, reply within 24 hours.

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Yes, provided you plan early. During those weeks, accommodation is scarce, traffic is restricted and some areas are not accessible. We prefer to film your venue just before the event, then capture a few atmosphere shots during it, so you can publish when attention is at its highest.

Most of the time, yes. With a population of nearly 150 nationalities and a strong Italian and English-speaking presence, a video that only works in French leaves part of the audience out. We deliver versions subtitled in French and English, and in Italian if your customer base justifies it.

Yes. These French towns border the Principality and share the same customers, often the same employees. We can schedule a shoot in Monaco and another across the border on the same day, which simplifies things for brands present on both sides.

A creative ads agency designs video ads built for social platforms: tested hooks, native 9:16 formats and data-driven iterations. At Esekai, every creative ad is produced in-house in Paris (script, shoot, edit), then adapted for TikTok Ads and Meta Ads to lower your acquisition costs.

Creative ads are structured advertising for paid media (TikTok Ads, Meta Ads). UGC videos mirror authentic creator content to build trust and convert. Organic content builds your social presence over the long term. The three are complementary.

We work on a six-month minimum. A video content strategy performs best over time: the first six months let us test, refine and optimise for durable, compounding results.

In our clients' words
01 / 02
Verified review, Trustpilot
A team that understands the business stakes, not just video. The setup brought us more visibility and more sign-ups.
Valentin Blanco CEO, Virage Prépa
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Client, Automotive
Content that meets our brand standards, delivered at the pace of the platforms. The France launch exceeded our targets.
Nicholas K. Sales Director, BYD
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