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Video Agency in Auxerre: UGC, TikTok and Creative Ads in Burgundy

It is pronounced “Ausserre”, the tourist office points out, and that detail is often enough to pick out a real local in a video.

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● Video agency in Auxerre

Shooting, editing and publishing for brands in Auxerre

It is pronounced “Ausserre”, the tourist office points out, and that detail is often enough to pick out a real local in a video. According to Insee, Auxerre has 35,097 inhabitants in 2023 and unfolds, on the banks of the Yonne, a 67-hectare historic quarter with abbey, cathedral and medieval lanes. Shops, wine estates and businesses in the Auxerrois entrust us with short-form content that we come to shoot on site, from the cellar to the kitchen, keeping that local colour.

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Prefecture of the Yonne, a services town

Insee’s data describes a prefecture geared to services: at the end of 2024, the municipality has 1,667 employer establishments, 72.1% of them in trade, transport and services and 17.8% in public administration, education, health and social work. 68.5% have 1 to 9 employees. The city offered 25,486 jobs in 2023. This profile calls for useful rather than spectacular videos: a practice, agency, clinic or local public service wanting to recruit or explain what it does is well advised to film its real teams, on their premises, with simple explanations. For shops in the centre, consistency matters more than a big production: three or four short Reels a month, shot in a single day and published over the following weeks, sustain a presence that the people of Auxerre notice in their feed.

Irancy, Saint-Bris and the cradle of crémant

The tourist office highlights the appellations of the Auxerrois: Irancy, 15 kilometres from the city, Saint-Bris-le-Vineux with its sole Burgundy AOC for sauvignon blanc, the Côtes d’Auxerre, Chitry and Coulanges-la-Vineuse designations, and the hamlet of Bailly, presented as the cradle of the Crémant de Bourgogne AOC. For an estate or a cellar, these names carry weight. The French legal framework on advertising alcoholic drinks does, however, limit what can be shown: hillsides, pruning, vat rooms and winemakers’ faces, yes; raised glasses and parties, no. The platforms add their own filters, and we write accordingly. A winemaker portrait shot during the harvest, or a cellar visit filmed as a discovery, works well for wine tourism and direct sales.

Gougères, snails and tables in the centre

Burgundian gastronomy, as the tourist office presents it, comes down to a few very visual products: gougères, snails in parsley butter, bœuf bourguignon. For a restaurant, these are shots that hook in a second: the tray of gougères coming out of the oven, the butter sizzling in the shell, the casserole being opened in the dining room. A Reel of this kind, shot before service, tells the story of the house better than a menu. For a caterer or a delicatessen, a UGC video in which a customer tastes and comments adds credibility, especially in the run-up to the end-of-year festivities. Visitors planning a weekend in Burgundy look for these images on Instagram and TikTok: a well-filmed table shows up in their searches and in their suggested ads just when they are booking.

Quays of the Yonne, Canal du Nivernais and festivals

The Yonne runs through Auxerre, and the tourist office points out that the Auxerrois is the starting point of the Canal du Nivernais. The quays, with the old town rising above the river, provide the most recognisable opening shot for a local video. The Pays d’art et d’histoire label, the abbey and the cathedral complete the setting for a hotel or a shop in the centre. On the calendar side, wine festivities such as the Saint-Vincent or Fleurs de Vigne, and festivals such as “Garçon, la Note !”, Catalpa or Les Rues Barrées, cited by the tourist office, enliven the city and its surroundings. These events make it possible to film crowds, concerts and full terraces, useful for a bar or restaurant. Spring, with cherry trees and vines in leaf, also offers a lovely window for exteriors.

Cellar, kitchen and quays in a single day

The tourist office speaks of Burgundy on Paris’s doorstep, and that is exactly how we work: early departure, arrival for the first light. At a winemaker’s, the day starts in the rows then goes down into the cellar, where a light lighting set-up is enough to make the barrels gleam. At a restaurant, we film the set-up before service, as the gougères come out of the oven. The lines have been approved remotely, and the creators chosen in the Yonne or in Dijon. After lunch, it is time for the chef’s or winemaker’s words. We finish on the quays of the Yonne, facing the old town. Each video is delivered in several variants, with subtitles for foreign visitors if your clientele warrants it.

Sources of the figures quoted Insee, Comparateur de territoires, commune d'Auxerre (89024), RP2023 et établissements fin 2024 (territory comparison tool, municipality of Auxerre: 2023 census and establishments at end of 2024) Office de tourisme de l'Auxerrois, Destination histoire (history destination) Office de tourisme de l'Auxerrois, Destination vignoble et gastronomie (vineyard and gastronomy destination) Office de tourisme de l'Auxerrois, Les temps forts (the highlights) Office de tourisme de l'Auxerrois, Destination nature (nature destination) Office de tourisme de l'Auxerrois, Comment venir (how to get here)
+40% click-through rate (CTR)
-30% cost per acquisition (CPA)
x2 à x3 return on ad spend (ROAS)
Why?

Why creative ads deliver better results

An ad that looks like an ad gets skipped in a second. A creative ad works on the hook, the message and the format so it is watched to the end, then tested and adapted for as long as it converts.

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How?

Our approach to creative ads

Every video is designed to be tested, measured and then improved.

01

Strategy & audience analysis

Market, goals and audiences: we choose the angles to test.

02

Visual creation & ad copywriting

Scripts, shooting and editing to each platform's codes.

03

Testing, iteration & continuous optimisation

We compare the variants and roll out the winners.

FAQ

Frequently asked questions about our video production studio

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Yes, provided you talk about it as a trade. The creator tells of their visit, what the winemaker taught them about Irancy or Saint-Bris, what they saw in the cellar. No festive tasting scenes: the Loi Évin forbids it, and the social networks’ conditions of distribution are just as strict.

The harvest gives the liveliest images, with teams at work. Spring offers vines in leaf and cherry trees in blossom, autumn warm colours. For wine festivities such as the Saint-Vincent, you have to allow for the crowd and film with a light crew. We adapt the calendar to the brand’s message.

Yes. For a shop or restaurant, we recommend a series of short videos shot in a single day: the product, the gesture, the person behind the counter, a customer giving a testimonial. Published over several weeks, they sustain local visibility. A creator who knows Auxerre, and its pronunciation, makes it all credible.

A creative ads agency designs video ads built for social platforms: tested hooks, native 9:16 formats and data-driven iterations. At Esekai, every creative ad is produced in-house in Paris (script, shoot, edit), then adapted for TikTok Ads and Meta Ads to lower your acquisition costs.

Creative ads are structured advertising for paid media (TikTok Ads, Meta Ads). UGC videos mirror authentic creator content to build trust and convert. Organic content builds your social presence over the long term. The three are complementary.

We work on a six-month minimum. A video content strategy performs best over time: the first six months let us test, refine and optimise for durable, compounding results.

In our clients' words
01 / 02
Verified review, Trustpilot
A team that understands the business stakes, not just video. The setup brought us more visibility and more sign-ups.
Valentin Blanco CEO, Virage Prépa
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Client, Automotive
Content that meets our brand standards, delivered at the pace of the platforms. The France launch exceeded our targets.
Nicholas K. Sales Director, BYD
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