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Video agency Saint-Brieuc: UGC, TikTok and creative ads in the bay

Between the quays of the Légué and a bay that has been a nature reserve since 1998, Saint-Brieuc changes light with every tide, which makes it a rare setting for anyone shooting short-form video.

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● Video agency in Saint-Brieuc

Shooting, editing and publishing for brands in Saint-Brieuc

Between the quays of the Légué and a bay that has been a nature reserve since 1998, Saint-Brieuc changes light with every tide, which makes it a rare setting for anyone shooting short-form video. The town had 44,607 inhabitants in 2022 according to Insee. Esekai, which works from Paris, takes the train to the prefecture of the Côtes-d'Armor to film TikTok content, UGC videos and Meta ads with local businesses, shops and restaurants.

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What Insee's figures say

The commune lost a little population between 2016 and 2022 (0.1% a year on average), but it concentrates far more activity than inhabitants: Insee records 27,288 jobs there in 2023 for 44,607 residents. Saint-Brieuc therefore draws in many employees every day who live elsewhere. For a brand, the audience to target doesn't stop at the town limits: a geotargeted ad is best off covering the whole employment area, and the message has to speak to people who know the centre from working there, not necessarily from living there. 15 to 29-year-olds make up 21.0% of residents in 2022. This is the audience for phone-shot TikTok formats, with a creator who talks like them, rather than polished clips designed for television.

3,839 establishments and an agri-food hub

The commune has 3,839 active establishments at the end of 2024 according to Insee, 23.8% of them in trade, transport, accommodation and food service, and 729 businesses were created there in 2025. In neighbouring Ploufragan, the Zoopôle works on innovation in the farming and agri-food sectors. These companies have very identifiable video needs: recruiting technicians and operators in a tight market, showing buyers a clean and well-controlled processing line, explaining in one minute a process that the general public never sees. We film these subjects in real conditions, hard hat and overalls included, with employees who agree to give testimonials. For the 729 young companies of 2025, a series of talking-head videos by the founder is often enough to launch the first campaigns.

Town-centre shops, the port and tables on the bay

Nearly a quarter of Saint-Brieuc's establishments are in trade, transport, accommodation or food service: shops on the pedestrian streets, cafés, seafood restaurants. For them, the most effective Reel shows what the customer really experiences: the seafood platter set down on the table, the morning shop window, the owner explaining where their fish comes from. The port du Légué, with its quays and shipowners' houses, provides a backdrop that people in Saint-Brieuc recognise at once. On the accommodation side, Insee counts 8 hotels and 341 rooms in the commune on 1 January 2026. A tight supply, where every establishment has an interest in differentiating itself online: a short UGC video shot by a guest, from reception to the view from the room, is more reassuring than a slideshow of photos.

Art Rock at Whitsun, the bay from April to October

The Art Rock festival takes over the town centre every Whitsun weekend, 22 to 24 May in 2026, with stages at the halle on place Poulain Corbion, at the Grand Théâtre and at the Forum according to Tourisme Bretagne. For a bar or a shop on the square, this is the weekend when an atmosphere video finds the most echo. The other setting is the bay. The GR34 path starts at the Légué and runs along the pointe de Cesson and the reserve's tidal flats as far as the Maison de la Baie at Hillion: sixteen kilometres that Tourisme Bretagne recommends from April to October. Along the way, the reserve's flats serve as an observatory: Tourisme Bretagne reports 112 bird species there. For an outdoor clothing brand or accommodation, a few shots taken at low tide are enough to place the video in northern Brittany.

Organising the shoot from Paris

Tourisme Bretagne gives 2 hours 20 minutes by high-speed line from Paris: the Esekai team, founded by Tony Lo and with more than 350 brands supported from 40 rue du Colisée, can therefore shoot a full day with no overnight stay when the schedule is tight. Before leaving, we fix the script, the shot list and the tide times if the bay is part of the setting, because the sea goes out a long way and changes the landscape entirely. A typical day starts at your premises for the interviews, continues with lunch in a restaurant in the centre or at the port, then ends on the quays of the Légué or at the pointe de Cesson for exterior shots. The edit is done in Paris, in several versions and several hooks to compare in paid ads.

Sources of the figures quoted Insee, Évolution et structure de la population en 2022, commune de Saint-Brieuc (22278) (Population trends and structure in 2022, commune of Saint-Brieuc) Insee, Dossier complet, commune de Saint-Brieuc (emplois 2023, établissements 2024, créations 2025, hôtels 2026) (Full file, commune of Saint-Brieuc: jobs 2023, establishments 2024, business creations 2025, hotels 2026) Décret n° 98-324 du 28 avril 1998 portant création de la réserve naturelle de la baie de Saint-Brieuc (AIDA, Ineris) (Decree no. 98-324 of 28 April 1998 creating the Saint-Brieuc bay nature reserve) Tourisme Bretagne, GR34 du port de Saint-Brieuc au cap d'Erquy (GR34 from the port of Saint-Brieuc to the cap d'Erquy) Brittany Tourism, Art Rock (édition 2026) (2026 edition) Le Journal des entreprises, Zoopôle Développement s'étend vers Lamballe Terre et Mer (2018) (Zoopôle Développement expands towards Lamballe Terre et Mer, 2018)
+40% click-through rate (CTR)
-30% cost per acquisition (CPA)
x2 à x3 return on ad spend (ROAS)
Why?

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An ad that looks like an ad gets skipped in a second. A creative ad works on the hook, the message and the format so it is watched to the end, then tested and adapted for as long as it converts.

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Every video is designed to be tested, measured and then improved.

01

Strategy & audience analysis

Market, goals and audiences: we choose the angles to test.

02

Visual creation & ad copywriting

Scripts, shooting and editing to each platform's codes.

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Testing, iteration & continuous optimisation

We compare the variants and roll out the winners.

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Paths like the GR34 are open to the public, and a small crew on foot can film landscape shots there. A nature reserve does have its own regulations, especially regarding wildlife: we stay on the paths, without disturbing the birds, and we check with the manager before any advertising shoot with extras or equipment.

Not necessarily. For a town-centre shop, it is on the contrary the moment to capture the crowd and the atmosphere of the concerts. For a calm interview or clear street shots, it is better to choose another week, because place Poulain Corbion and its surroundings are taken over by the festival for three days.

When the brand wants an accent, a face or places that the Breton audience will recognise, we run a casting of creators from the area. For a UGC agency in Saint-Brieuc, this is the best way to speak to 15 to 29-year-olds, who make up 21.0% of residents. If the target is national, we can also bring in profiles from our Paris network.

A creative ads agency designs video ads built for social platforms: tested hooks, native 9:16 formats and data-driven iterations. At Esekai, every creative ad is produced in-house in Paris (script, shoot, edit), then adapted for TikTok Ads and Meta Ads to lower your acquisition costs.

Creative ads are structured advertising for paid media (TikTok Ads, Meta Ads). UGC videos mirror authentic creator content to build trust and convert. Organic content builds your social presence over the long term. The three are complementary.

We work on a six-month minimum. A video content strategy performs best over time: the first six months let us test, refine and optimise for durable, compounding results.

In our clients' words
01 / 02
Verified review, Trustpilot
A team that understands the business stakes, not just video. The setup brought us more visibility and more sign-ups.
Valentin Blanco CEO, Virage Prépa
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Client, Automotive
Content that meets our brand standards, delivered at the pace of the platforms. The France launch exceeded our targets.
Nicholas K. Sales Director, BYD
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