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Video agency, Hauts-de-France

Video Agency in Compiègne: UGC, TikTok and Creative Ads

Three toasted hazelnuts, nougatine and flakes of dark chocolate: the Picantin, created in the 1920s, takes its name from the three figures who strike the bells of the town hall belfry.

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● Video agency in Compiègne

Shooting, editing and publishing for brands in Compiègne

Three toasted hazelnuts, nougatine and flakes of dark chocolate: the Picantin, created in the 1920s, takes its name from the three figures who strike the bells of the town hall belfry. Compiègne is full of details a camera loves. According to Insee, the town had 40,761 inhabitants in 2023, and the tourist office says it lies an hour from Paris. Esekai goes there to film TikTok formats, UGC videos and Meta ads that start from the château, the forest and the shops in the centre.

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From the Second Empire to the Armistice clearing

The Compiègne-Pierrefonds tourist office sums up the area’s history in three sites: the Château de Pierrefonds for the Middle Ages, the Château de Compiègne for the Second Empire and the Clairière de l’Armistice for the First World War. For a brand, these places offer highly recognisable backdrops, but using them takes method. A hotel, restaurant or shop can include them in a discovery Reel (“a day in Compiègne”) without making them the main subject. A fashion or jewellery brand, meanwhile, can aim for a more ambitious shoot in the gardens or around the château, provided it obtains the managers’ agreement. The Clairière de l’Armistice, a place of remembrance, is poorly suited to commercial advertising: we keep it for cultural or institutional content, in an appropriate tone.

What Insee says about the town

With 767.6 inhabitants per km² in 2023, Compiègne remains a human-scale town, offering 26,565 jobs the same year. Insee records 1,662 employer establishments there at the end of 2024, of which 73.3% are in trade, transport and services and 69.5% have 1 to 9 employees; public administration, education, health and social work account for 16.6% of establishments. Only 34.4% of households own their main residence, and the town is home to the Université de technologie de Compiègne. For a brand, that points to two targets: a mobile student population, very present on TikTok, and settled families who use the town centre and the forest at weekends. We do not film them in the same place or with the same creators.

Picantins, Mâchicoulis and chocolate from Ecuador

The area has its specialities, and they come across well on video. In Compiègne, the pâtisserie that makes the Picantin, a registered trademark, has added new creations such as the “Marjorie” or the “Rocher Compiégnois”, all made on site. In Pierrefonds, the Mâchicoulis, a salted butter caramel coated in almonds, has existed since 1926. The chocolatier Beussent-Lachelle has had its own cocoa plantation in Ecuador, on the banks of the Río Napo, since 2007, and opens its doors to visitors. These stories are perfect for food UGC: a creator who opens the box, tells the story behind the name and tastes it on camera. For a pâtisserie or chocolatier, a Reel of the making process shot in the workshop, followed by a shot in the shop, feeds the account for weeks, especially in the run-up to Christmas and Easter.

The state forest, a setting for all four seasons

The tourist office encourages visitors to stroll through the Forêt de Compiègne between visits, and highlights its parks and gardens. For an outdoor, cycling, wellness or clothing brand, it is a setting that changes with every season: deep green in spring, filtered light in summer, vivid colours in autumn, mist in winter. The office even offers a programme for experiencing autumn in Compiègne-Pierrefonds, proof that the season draws people. A TikTok shot in the forest at sunrise, with a creator running, cycling or hiking, works well for sports brands. For accommodation or a restaurant, the forest serves as a transition between two shots: we leave the venue, cross the trees, arrive at the château. We shoot early in the morning, when the paths are almost empty.

Forest at dawn, town centre at midday

The tourist office places Compiègne an hour from Paris, and that proximity changes the organisation: no hotel night, a very early start, a crew in place for the morning mist in the forest. Permits have been dealt with beforehand, with the town hall for the streets and with the managers for the surroundings of the château or the forest roads. Around midday, we join your pâtisserie, shop or offices, when business is in full swing. The students a brand is targeting are filmed rather at the end of the day, when classes finish, with creators of their own age. We return the same evening, and the first edited versions reach you for your feedback before the final delivery of the variants.

Sources of the figures quoted Insee, Comparateur de territoires, commune de Compiègne (60159), RP2023 et établissements fin 2024 (territory comparison tool, municipality of Compiègne: 2023 census and establishments at end of 2024) Office de tourisme Compiègne-Pierrefonds, Spécialités locales à savourer (local specialities to savour) Office de tourisme Compiègne-Pierrefonds, Monuments, musées et lieux de visite (monuments, museums and places to visit) Office de tourisme Compiègne-Pierrefonds, Vivez l'automne à Compiègne-Pierrefonds (experience autumn in Compiègne-Pierrefonds) Office de tourisme Compiègne-Pierrefonds, Parcs, jardins et forêt (parks, gardens and forest) Office de tourisme Compiègne-Pierrefonds, Comment venir (how to get here)
+40% click-through rate (CTR)
-30% cost per acquisition (CPA)
x2 à x3 return on ad spend (ROAS)
Why?

Why creative ads deliver better results

An ad that looks like an ad gets skipped in a second. A creative ad works on the hook, the message and the format so it is watched to the end, then tested and adapted for as long as it converts.

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Our work

Content built to capture, engage and convert

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How?

Our approach to creative ads

Every video is designed to be tested, measured and then improved.

01

Strategy & audience analysis

Market, goals and audiences: we choose the angles to test.

02

Visual creation & ad copywriting

Scripts, shooting and editing to each platform's codes.

03

Testing, iteration & continuous optimisation

We compare the variants and roll out the winners.

FAQ

Frequently asked questions about our video production studio

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A shoot in a national monument requires the agreement of its manager, with a file setting out the project, the equipment and the crew. We prepare this file beforehand. For lighter content, filming outdoors with a single creator around the château or in the park is often simpler, while keeping the recognisable backdrop.

Autumn is the most spectacular season, and the tourist office has understood this well with a dedicated programme. Spring and summer give softer light and long days. In winter, the morning mist creates a particular atmosphere. It all depends on the product: a sports or outdoor brand can shoot all year round.

Yes, with the right codes. Students respond to creators their own age, fast formats and humour. We cast student profiles in Compiègne whenever possible, film in places they frequent and write hooks in their language, rather than a conventional brand speech.

A creative ads agency designs video ads built for social platforms: tested hooks, native 9:16 formats and data-driven iterations. At Esekai, every creative ad is produced in-house in Paris (script, shoot, edit), then adapted for TikTok Ads and Meta Ads to lower your acquisition costs.

Creative ads are structured advertising for paid media (TikTok Ads, Meta Ads). UGC videos mirror authentic creator content to build trust and convert. Organic content builds your social presence over the long term. The three are complementary.

We work on a six-month minimum. A video content strategy performs best over time: the first six months let us test, refine and optimise for durable, compounding results.

In our clients' words
01 / 02
Verified review, Trustpilot
A team that understands the business stakes, not just video. The setup brought us more visibility and more sign-ups.
Valentin Blanco CEO, Virage Prépa
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Client, Automotive
Content that meets our brand standards, delivered at the pace of the platforms. The France launch exceeded our targets.
Nicholas K. Sales Director, BYD
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