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Video agency, Provence-Alpes-Côte d'Azur

Video agency in Aubagne: UGC, TikTok and Reels at the Garlaban

In Aubagne, clay keeps the town alive: santon makers' workshops, potters in the old town and Argilla, a biennial fair that brought nearly 200 ceramicists from 17 countries to the pedestrianised streets in 2025.

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● Video agency in Aubagne

Shooting, editing and publishing for brands in Aubagne

In Aubagne, clay keeps the town alive: santon makers' workshops, potters in the old town and Argilla, a biennial fair that brought nearly 200 ceramicists from 17 countries to the pedestrianised streets in 2025. Insee counts 47,529 residents there in 2023 and 28,879 jobs, well above the number of working residents. Our Paris studio travels down to shoot adverts for TikTok and Instagram, UGC and Reels for brands that speak to the people of Aubagne as well as to visitors who come for Pagnol or for ceramics.

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47,529 residents and more jobs than working residents

Aubagne's population has grown from 27,938 in 1968 to 47,529 in 2023, according to Insee's full municipal file. For an advertiser, the telling figure lies elsewhere: the town offers 28,879 jobs while 18,853 of its residents are in work, which puts the employment concentration index at 153.2. Many of those who shop, have lunch or pop into a shop in Aubagne on weekdays therefore live in another municipality. That changes the targeting: a Meta campaign limited to residents leaves out the employees who are there every day. So we split each ad into two variants, one aimed at residents (Saturdays, family, the old town), the other at those who work there (lunch break, after the office, the commute), with different hooks tested in parallel.

Les Paluds, 600 companies in a single zone

The Paluds industrial zone, which celebrated its 50th anniversary in 2018 according to the Aix-Marseille-Provence Metropolis, had 600 companies and 6,000 jobs according to a 2017 metropolitan council resolution. The Nouveaux Paluds project covers 114.8 hectares and aims for 65 employees per hectare, with 800 to 900 new jobs. For these productive SMEs, the video needs are concrete: a portrait of a forklift driver or a technician to recruit, a machine demo filmed in the workshop for LinkedIn, a managing director's presentation ahead of a trade show. The local business fabric keeps renewing itself: Insee records 1,011 business start-ups in Aubagne in 2025, including 230 consulting, engineering and business-services companies. A young company often has everything to show at once; a short series shot on its premises gives it its first adverts and enough material to feed its social channels for several weeks.

Santons, workshops and restaurants in the old town

Provence-Alpes-Côte d'Azur Tourisme lists some forty potters' and ceramicists' workshops in the historic centre and its surroundings, and a pottery tradition dating back to Gallo-Roman times. At the Petit Monde de Marcel Pagnol, an exhibition presents more than 200 santons. It is material that can be filmed without artifice: hands shaping a santon, painting with a fine brush, the piece coming out of the kiln. In a Reel, these gestures hook viewers in three seconds, and a craftsperson who sells online can build an entire campaign from them. The restaurants in the centre benefit from the same approach: a Provençal plate filmed in tight close-up, service on the terrace, the owner's voice. As for accommodation, Aubagne had 5 hotels with a total of 301 rooms at the start of 2026, according to Insee; many visitors come for the day, and it is to them that the TikTok content, to be published before their visit, is addressed.

The Garlaban, Pagnol's home town and the summers of Argilla

Marcel Pagnol was born in Aubagne in 1895 and lived there until he was three, before his family left for Marseille. Above the town, the Garlaban peaks at 715 metres; Pagnol filmed La fille du puisatier and Manon des sources in its hills, notes Provence-Alpes-Côte d'Azur Tourisme. For a cosmetics, delicatessen or sports brand, these garrigue trails make a backdrop that Provençal audiences recognise immediately. In summer, outdoor scenes are filmed at dawn or after 6 p.m., in low-angle light and heat that is still bearable. Argilla, created in 1991, returns in August in odd-numbered years: the 2025 edition, the 17th, had Italy as its guest. In even-numbered years, the santon art biennial brings together some fifty craftspeople before Christmas, a period that suits gift and craft content well.

Our typical day between the station and Les Paluds

We leave Paris by train to Marseille, then take a TER that stops at Aubagne, a short distance from the old town. The shoot is prepared remotely: script approval, shot list, permits when we film on the street, and casting of UGC creators from the Marseille area if the brand wants local faces. A classic day starts in a santon maker's workshop before opening, moves on to the lunchtime rush of a Provençal restaurant, spends the afternoon at an SME in Les Paluds (employee testimonials, machines running), and ends on the lower slopes of the Garlaban as the sun goes down. Back in Paris, we edit the rushes: Esekai, founded by Tony Lo, has more than 350 client brands, and every shoot feeds a series of ad variations.

Sources of the figures quoted Insee, Dossier complet, commune d'Aubagne (13005), recensement 2023, créations d'entreprises 2025, hôtels au 1er janvier 2026 (full file, municipality of Aubagne, 2023 census, 2025 business start-ups, hotels as at 1 January 2026) Métropole Aix-Marseille-Provence, délibération du Bureau du 30 mars 2017 sur la zone d'activités des Paluds (Bureau resolution of 30 March 2017 on the Paluds business zone) Métropole Aix-Marseille-Provence, délibération du 26 septembre 2019, requalification de la ZI des Paluds (resolution of 26 September 2019, redevelopment of the Paluds industrial zone) Ville d'Aubagne et Office de tourisme, livret Argilla 2025 (Argilla 2025 booklet) Provence-Alpes-Côte d'Azur Tourisme, Aubagne et le pays de l'Étoile (Aubagne and the Étoile region)
+40% click-through rate (CTR)
-30% cost per acquisition (CPA)
x2 à x3 return on ad spend (ROAS)
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An ad that looks like an ad gets skipped in a second. A creative ad works on the hook, the message and the format so it is watched to the end, then tested and adapted for as long as it converts.

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Strategy & audience analysis

Market, goals and audiences: we choose the angles to test.

02

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03

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Yes. Argilla takes place in odd-numbered years, in August, in the pedestrianised town centre, and admission is free. After the 2025 edition, the next is therefore expected in 2027. We shoot early, before the public arrives, the product shots and the exchanges with the ceramicists, then keep a light crew for the atmosphere of the aisles in the afternoon. Exhibitors who are filmed need to be warned, and accommodation booked several weeks ahead.

That is actually the most common case. We list with you the workstations to show, the site's safety rules and the moments when a machine can run for the camera. Testimonials are recorded in peace, in an office, and the workshop is filmed in full activity. In a single day, a company gets what it needs to recruit, present its expertise and feed LinkedIn.

Yes, when the brief calls for it. When a UGC or TikTok agency films in Aubagne, a Provençal accent and recognisable places, from the main cours to the Garlaban hills, make a video more credible with the local audience. We then recruit profiles around Marseille, or come with Parisian profiles if the campaign targets the whole of France.

A creative ads agency designs video ads built for social platforms: tested hooks, native 9:16 formats and data-driven iterations. At Esekai, every creative ad is produced in-house in Paris (script, shoot, edit), then adapted for TikTok Ads and Meta Ads to lower your acquisition costs.

Creative ads are structured advertising for paid media (TikTok Ads, Meta Ads). UGC videos mirror authentic creator content to build trust and convert. Organic content builds your social presence over the long term. The three are complementary.

We work on a six-month minimum. A video content strategy performs best over time: the first six months let us test, refine and optimise for durable, compounding results.

In our clients' words
01 / 02
Verified review, Trustpilot
A team that understands the business stakes, not just video. The setup brought us more visibility and more sign-ups.
Valentin Blanco CEO, Virage Prépa
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Client, Automotive
Content that meets our brand standards, delivered at the pace of the platforms. The France launch exceeded our targets.
Nicholas K. Sales Director, BYD
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